11/26/2022 0 Comments Queer as folk castKameron Ross started his country music journey at the age of 8. BUT – what could have been a moment of disaster was actually a moment of triumph as singer-songwriter Kameron Ross continued his audition, singing acapella, and wowing every one of the judges. Queer As Folk made LGBTQ life seem possible for millions.Ĭan you imagine being on America’s Got Talent, singing your heart out, and then Simon Cowell cuts you off? That’s exactly what happened to our guest on this episode of Metrosource Minis. If you were one of the many who found a way to watch the show week after week in secrecy while your family remained unaware of your same-sex attractions - welcome to the club. As he’s sitting in a large circle of like-minded fellows, an “ex-gay” therapist - who appears not the slightest bit hetero and is partnered with a very butch ex-lesbian - chants over and over, “You can change, you can change, you can change!”Įmmett looks him up and down and whispers to the fellow sitting beside him, “I’d start with those shoes.” In one episode, Emmett decides to try to go straight. The show received the warmest possible welcome from the LGBT community for its frank discussion of serodiscordant couples (the negative Michael soon had a poz partner, Ben, played by Robert Gant), drug addiction (Ted had a rough bout with crystal meth), and even ex-gay therapy. In addition, the show delved into lesbian topics through a couple, Lindsay (Thea Gill) and Melanie (Michelle Clunie) who become parents with Brian’s. Subplots abounded, including an additional pair of friends, Emmett (Peter Paige) and Ted (Scott Lowell). The show revolved around an awkward friendship between Brian Kinney (Harold) and Michael Novotny, which was complicated from the outset by the arrival of the twinky Justin Taylor (Harrison). AIDS loomed large in the plotline, as most of the series’ run took place before anti-viral cocktails appeared on the market. For many, including Showtime network watchers who weren’t gay, it was the first attempt to show what life was like within the American gay community at the time.Īnd although the show was set in gritty Pittsburgh, much of the series was actually shot in Toronto, and became a popular gay tourist destination as tourists wanted to see where their favorite characters drank, danced and dealt with the many curve balls life threw at them. Now into the fifth season, I am a dedicated fan of the show, and will be sorry to see it end.Based on a British series of the same name, QAF ran from Decemto August 7, 2005. But that's okay, because this is television, and the writers are allowed to have creative license. Of course, it isn't a documentary of gay life in Pittsburgh, so of course there are over-exaggerations and the occasional predictable plot line or relationship. The story lines are extremely engaging as well, and I find myself disappointed at the end of every episode, because now I have to wait and see what happens. They have wide ranges of emotion, and though they at first appear to be stereotypes, it is soon very evident that each one has plenty of flaws. The characters are all three-dimensional, and very strongly played by their respective actors. I like how the character's issues are never resolved in one episode, and how the actions of one have some effect on the other main characters of the series. But in this show, I discovered some things that a lot of television shows now seem to lack: interesting plots, three-dimensional characters, and most importantly, realism. I started watching the show because I was bored and I like Hal Sparks (Michael) from seeing him on VH1's I Love the 80s. I never saw the British version, though I'm interested to see if I can find a copy of it. I love the American version of Queer as Folk.
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